I’m reluctant to label The Discovery as science fiction, even though Netflix’s new drama has what sounds like a classic Isaac Asimov premise: a scientist has found irrefutable evidence that after death, the human spirit goes somewhere; he’s just not sure where. Like good science fiction, the film raises a handful of questions that could span seasons of television — Can science really prove something like this? Should it? — but the 110-minute film largely ignores those questions in favor of melodramatic twists. For a film about science finding answers to life’s big questions, The Discovery is surprisingly uninterested in how and why we learn the answers. [Read more here...]
I’m reluctant to label The Discovery as science fiction, even though Netflix’s new drama has what sounds like a classic Isaac Asimov premise: a scientist has found irrefutable evidence that after death, the human spirit goes somewhere; he’s just not sure where. Like good science fiction, the film raises a handful of questions that could span seasons of television — Can science really prove something like this? Should it? — but the 110-minute film largely ignores those questions in favor of melodramatic twists. For a film about science finding answers to life’s big questions, The Discovery is surprisingly uninterested in how and why we learn the answers. [Read more here...]
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